EASTERN VIDEO

A Norfolk story.
Still in the
making.

From wedding videos in summer 1986 to Top Gear and motorsport minicams. A hands-on filmmaking story that grew into specialist camera engineering, Extreme Video and Epic.

Explore our story
Epic production crew setting up a cinema camera on location
THE WORK CONTINUESOn location with Epic Broadcast ↗
ProductionPost-productionSpecialist camerasNorfolk roots. A wider view.

A gap year that became
the EV story.

The story, films and photographs, from Eastern Video Services to Extreme Video and EV Offshore.

Read our history ↗Explore the films & photographs ↗

THE FILM · 1986 TO NOW

From where it started
to where we are now.

Forty years in just over three minutes: from Eastern Video’s first films in 1986, through Extreme Video’s television and motorsport work, to Epic Studios, Epic Broadcast and Epic EV Studios today.

Opening title of the film: 1986, where it all began

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Eastern Video · Extreme Video · Epic Studios · Epic EV Studios3 min 16 s · with sound

THE EV STORY IN LOGOS

Where the logo started
and where it’s ended up.

A one-minute film of every logo, from Scott Bedford’s first EVS design in 1986 to Epic EV Studios, EVM and EV Canopy today.

Title of the logo film: where it started, where it’s ended up

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Eastern Video · Extreme Video · EV Offshore · Epic Studios · Epic EV Studios · EVM · EV Canopy1 min 7 s · with sound

It started with
a wedding video.
Then the road opened up.

Jonathan Thursby started Eastern Video in summer 1986 after leaving Norwich School with A levels. He planned a gap year before studying mechanical engineering at Imperial College, but wedding filming took off and he never went to university. Eastern Video began as his sole-trader business.

Around 1992, he stopped filming weddings as he started working on Top Gear.

The work developed into more than operating a camera. Jonathan describes building complete systems around separate cameras and tape recorders, including mounts, batteries, controls, microphones and interfaces, then finding ways to keep them working through vibration, heat and water.

Corporate films, location filming, editing and post-production remained part of the wider production story. The recovered archive below shows how that practical engineering supported the finished film, from motorsport footage to the Lotus Change the Rules production.

SUMMER 1986

Leaving school. Starting Eastern Video.

Wedding videos were the beginning of Jonathan’s sole-trader business. The starting point for the production and engineering work that came later.

AROUND 1992

From weddings to Top Gear.

Jonathan stopped filming weddings as his Top Gear work began. A move into television, followed by the specialist minicam work of the next chapter.

1993–2004

Inside the action

Minicam work across the World Rally Championship, British Rally Championship, BTCC and offshore powerboat racing. A chapter of the EV story confirmed by Jonathan Thursby.

Different environments.
The same practical thinking.

Rallying, offshore powerboats and ocean racing taught different lessons about keeping cameras alive. In his interviews, Jonathan connects those lessons directly to the next opportunity: applying camera engineering to the heat, pressure and reliability demands of the oil industry.

That became the EV Offshore chapter of Jonathan’s career, a separate business story that later included international growth and Enersol’s acquisition of EV in 2024. It is founder history, not a current Eastern Video holding or an offer of EV technology.

The production story also gained a permanent home when Extreme Video acquired Epic Studios in 2012. Jonathan describes a long-held ambition to run a television studio and help develop a media hub in Norwich.

Jonathan’s fuller founder history

Some of the work
that got us here.

From the original website and Jonathan Thursby’s account of the early years.
Historical work, not a list of current clients.

01MOTORING / CORPORATE FILMLotus. Change the Rules.

A worldwide marketing DVD for the Lotus Elise, combining sports-car action, miniature-camera footage, archive material and computer graphics. The production brought material from 16mm film to U-matic tape into one coherent story.

Mark Wells and Jonathan Thursby received the Institute of Videography’s top corporate production award for 2004 for the film.

Close-up of yellow Lotus bodywork from the original EV website
Lotus image from the original website

The production brought together filmmaking and EV’s camera engineering: the Stikcam boom-mounted minicam was used to capture moving close-ups of the Elise for Change the Rules.

02INDUSTRIAL / TRAININGOffshore safety training.

Offshore safety training features in the original production archive, alongside industrial product demonstrations and corporate films. It is part of the practical, technical strand of the early work.

03BROADCAST TELEVISIONAston vs. RAF.

Listed under broadcast television in the original project archive, “Aston vs. RAF” sits alongside the company's motoring and commercial production work.

041993–2004 / MOTORSPORT & MARINEThe minicam years.

From 1993 to 2004, we handled minicam work across the World Rally Championship, British Rally Championship, British Touring Car Championship and offshore powerboat racing. Small cameras brought viewers into the cars, onto the boats and closer to the action.

Contemporary coverage in July 2002 named Eastern Video and quoted Jonathan as managing director on fitting more cameras into rally cars within tight size and weight limits.

That engineering background continued into Top Gear and Clarkson productions.

THROUGH THE EV YEARS

Small frames.
A wider story.

Motorsport, marine filming and life behind the camera.

Explore Extreme Video’s past projects
Rally car driving through water, from the original specialist-filming archive
MOTORSPORTOriginal specialist-filming image
Sailing crew at a yacht’s helm, from the original marine-filming archive
MARINEOriginal marine-filming image
Epic Studios camera operators filming a studio production
Studio production at Epic Broadcast ↗

The story didn’t
stop at video.

Today, the wider work brings together film and television production, studio facilities, live performance and specialist filming.

Epic’s model developed as the television market changed. In his 2025 interview, Jonathan describes building live entertainment and corporate activity alongside the original production ambition.

For crews, studio space, cameras, lighting and production facilities, Epic Broadcast is the practical point of contact.

Extreme Video continues the production and technical-development side of the story, including new research into camera-based perception.

Explore Epic Broadcast

LET’S TALK

A new project.
Or an old connection.

Tell us what you are making, what you need
and where you would like to take it.